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Report: 8/20/08

Present: Dale, Greg, Dan, Jeff B, Kevin.  (Marc @ previous engagement; Matthew working; Jeff A?)

We began by reading through IV.6, the scene in which the smug Tribunes are aghast to learn that Coriolanus has joined forces with Aufidius and is marching against Rome.

Dale isolated the bit where the Citizens come in, breathless with rumor, and immediately begin backtracking on their decision to banish Cor.  His concern was that it was too easy to play them for laughs, as clueless yokels.  He wanted to see if we could maintain the increasing disquiet of the scene.

After memorizing the three or four lines, we gave it a shot and were actually successful.  Rather than fickle idiots, their cries of “We didn’t mean it” became dangerous accusations against the Tribunes.

Then we backed up and tackled the part of the scene between the Tribunes and Menenius.  After one time through, we sat them at a cafe and did the scene again.  Very nice—it gave the Trib’s self-satisfaction a nice, relaxed tone that gets shot down with the entrance of the first Messenger. By the time Cominius comes raging in, the Tribs are thoroughly rattled.

However, as Kevin pointed out, it’s not necessarily because they believe what they’re hearing.  Rather, they understand that whether the rumors are true or not, they have a situation on their hands.  (Which we see is true when the Citizens come in…)

At some point, we discussed the schedule—we have nine weeks until the first performance, 54 hours of rehearsal left.  We can actually keep playing without casting for another week before things start to get tight.

We looked at I.3, Volumnia’s first scene.  We had a lot to say about Volumnia, which I’ll let people either fill in in comments for this post or for the actual I.3 post.

Dale suggested at one point that Volumnia could actually physically abuse Virgilia, but that was generally discouraged: Volumnia is abusive enough without hitting, which Dale went on to prove with an absolutely relentless reading of her.

Throughout the evening, every time we ran through a scene, we shifted roles, which was nice, because everyone brought something different to each role.

Next session is Saturday, August 23, 10:00 a.m., Newnan School of Dance; we’ll look at the war scenes, I.4 through I.10.  We want to look at the battles and see how we can make them look like something.

And we still need three or four more men.

Guys, I think it would be very useful in the next two months if we actually go record our thoughts about the scenes and characters with the actual scene posts.  That way, once we cast, people can go look back at what we had to say in the scenes as we worked.

To that end, here are the links for

Road trip?

Turff has suggested that perhaps a road trip to Nashville is in order.  They certainly seem to have done all our PR work for us, if we’re willing to steal outright: http://nashvilleshakes.org/DramaturgsNote.htm

Click on through to Coriolanus answering campaign questions.  It’s pretty funny.

I definitely think we need campaign buttons for publicity, though.

Report: 8/16/08

First work session.  In attendance: Dale, Marc, Galen, Jeff B., Greg, Dan, Kevin.  (Jeff A. and Matthew were both working.)

Dale taped up a sheet and drew a floorplan of the Greenville St Park performance area.  The raised brick platform is about 40 feet across and basically 9 feet deep.  There are stairs SL, and an L-shaped ramp SR. In front of the platform is a 4-foot wide swatch with shrubberies, and then a 5-foot-wide sidewalk.

There is a large green space (with drains C, L, & R), followed by a second and third tier of green.

We discussed our options with the space.  The City has already said that we cannot build steps to bridge the sidewalk to the platform over the shrubbery (although we’re not sure they understood we meant a temporary structure).  We’re probably going to perform mostly in the lower green space, three-quarter thrust.

We discussed our personnel.  We still need a few good men.  Dale will submit a PR release for the paper which invites interested men to join us.

We began to read through the play.  We read through Act I and most of Act II.  Galen and Kevin had to leave for prior commitments, and we began to summarize some parts and read others.

We decided that we would play with the script for at least another week before making final casting decisions.

We broke for lunch, and then afterwards we got on our feet and played with some staging ideas.  We’re leaning heavily towards staffs as weapons/set pieces.

As an opening, Marc suggested a dumbshow/tableau: two figures (Cor. and Auf.) below, with a frieze of warriors behind them.  That developed into drummed accompaniment, with Cor. & Auf. battling in stylized slow motion, while behind them the warriors strike poses with shouts.  Finally, the godlike warriors break into the clumsy, malleable mob of scene 1 and sweep down the ramp to begin the play.  An idea to play with, score, and choreograph.

We ran through I.1, up through Cor.’s entrance and commented on the dynamics.  The whole play is a game of political strategy, and only Cor. is too “pure” to play it.  Everyone else is, as Marc put it, constantly getting ready for the next battle.

Other ideas that floated about: the missing father, every character telling the truth, the homoerotic undertones.

Next session is Wednesday, Aug. 20, 7:00, Newnan School of Dance.  We’re going to look at I.2 and IV.6, plus whatever else pops up. We’ll still be playing with the text, still holding off on casting decisions.

Agenda for 8/16/08

We’ve got our first four hours upon us this Saturday.

What shall we do?

Discuss.

Neo-futurism?

Back in the summer, I short-circuited the play-acting we were doing in The Art of Being Off-Task by claiming that I had found the answer to the problem.

I coyly held out on the group till I was back in town, but I still want to hold back, in a way.  What I found was a Chicago performance troupe called the Neo-Futurists, the New York version of whose show Too Much Light (Makes the Baby Go Blind) Jobie had described to me.  I ordered two books of their scripts and liked very much what I saw. In fact, my much-derided nude turn in Off-Task was a response to having read those scripts.

When the Honeas came to pick up Galen at GHP, I gave Marc the books of scripts for his perusal.  If he’s willing, I’d like to diffuse (defuse) the Master thing and ask him to describe the Neo-Futurists’ work and whether he thinks it might be something we could explore.

The nitty-gritty

So now it’s down to the nitty-gritty.

Questions to be answered, with some thoughts on answering them. Discuss.

Performances

  • When shall we do this? I’m thinking the last two Saturdays in October, the 18th and 25th. How about Sundays as well?
  • Where shall we do this? The new city park is actually not a bad performance space. Marc and I tested out the acoustics back in May, and while the last audience row cannot hear because of traffic noise, the rest of the seating is good. I am emailing Cleatus Phillips to see if we can get the space. What time of day should we do it? I don’t know that the park has lights for evening performances.
  • I offered our services to NCTC for a benefit performance or two, but their October is full. Should we offer a November performance for them?

Rehearsals

  • When do we rehearse? This is the sticky question, isn’t it? I am going to propose a 2-hour rehearsal on Wednesday nights, and a 4-hour rehearsal on Saturdays, maybe 10-2 with a working lunch break in there. Given that we’re trying to use John Russell Brown’s “Free Shakespeare” concept and not over-work the play, this might be the ideal amount of time. Other ideas?
  • Where do we rehearse? My back yard is always available. How about the Newnan School of Dance? Wesley Woods has actually offered us a space.
  • I hope everyone is planning on this being a collaborative piece. I am not intending to “direct” this. Why should I, when we have so many incredible talents working on it?

Casting

  • It has not escaped my notice that no one has claimed the three of the four biggie roles. Be giving some thought to this.
  • Should we have auditions? I’m thinking we may not need them. So far, our company consists of
    • Dale
    • Marc
    • Jeff
    • Kevin
    • People who have said yes: Craig Humphrey, Matthew Bailey, Greg Lee (although that was last spring)
    • People who have said they’re interested: Jobie Johnson, Jeff Allen, John Caldwell
    • People I’ve contacted who haven’t said no: Dave Dorrell, Dan Coleman
    • Others: two young actors from NCTC that Jeff said would be good who are too young to be in Odd Couple and who want to do something this fall
    • Anyone else?

Costuming

  • We’ve already talked about this: olive drab cargo pants, black and/or gray t-shirts, work/combat boots. Accessorize for individuation.

Set

  • Keep it simple: some trestles, a couple of big pieces of plywood, maybe some big-ass pieces of fabric to wave around.

Combat

  • We need swords, and a fight trainer.

Getting started

  • We need to get everyone who’s interested together and swear an oath to accomplish this, plus hammer out some details. We need to do this fairly soon, because we will run out of time if we don’t.

Did I leave anything out?

Coriolanus V.6

public place in Corioles

  • Coriolanus
  • Aufidius
  • conspirators
  • lords (V)
  • attendant
  • people

Coriolanus V.5

Another street in Rome

  • Senator
  • Volumnia
  • Virgilia
  • Valeria
  • (young Martius?)
  • Crowds

Coriolanus V.4

A street in Rome

  • Menenius
  • Sicinius
  • Messengers

Coriolanus V.3

Before the tent of Coriolanus

  • Coriolanus
  • Aufidius
  • Virgilia
  • Volumnia
  • Valeria
  • young Martius
  • [others]
  • [attendants

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